On a nearly-literal level, what surrounds Kennedy is what partially allows for the overarching vibe of his music to exist: the production. He does not attempt to be anything greater or lesser than his own self, and he enjoys this truth. Short-but-sweet lines-“ I’m like Russell Simmons but he don’t fly couch much”-and a nearly indescribable authenticity pervade all aspects of the emcee’s work. Much of what’s shared is pretty trivial, yet it’s overflowing with this vague, cliche thing that we call realness. AC blowing strong.” On the track "Dominic," a girl is described as looking like something that a “n***a might do.” Later, album closer Nothing Like Me sees Kennedy discussing his come up, wanting hoes and how his cars are all black. Furthermore, plain lines hold a tremendous power in that they effectively put the listener into Dom’s world, while also establishing the time period during which this music is best consumed: “ When it’s 91 outside, bet it’s 69 in my coupe /.
His linear description of a moment in "After School" is rarely thought-provoking, but always enjoyable. The topics addressed often encompass female-inspired lyricism and recaps of past, relatable experiences.
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